PITCHERS features Holly’s recent body of still life paintings. Having worked with portraiture and landscape in the past, she continues to subtly recontextualize these traditional genres. Here, the still life is an open platform to talk about painting and to display the nuances of everyday life. The pitchers, vases, fruits etc. are immediately familiar but with time, they bend away from the commonplace into floating shadows, bright lines, and dreamy color. Oftentimes, the perspective is slightly skewed, awkward shapes replace naturally occurring shadows, and minute details contrast with broad strokes. Instead of being dramatic or idealized, everything that happens is poetic, humorous and personal.
Holly Coulis was born in Toronto, Canada and has lived and worked in Brooklyn since 1999. Her work has been shown in Toronto, Zurich, Chicago, Atlanta, Miami, and New York. She is represented by Cherry and Martin Gallery in Los Angeles and LaMontagne Gallery in Boston. Her most recent show was at Susanne Hilberry Gallery in Detroit.
Sardine is located on the ground floor of 286 Stanhope Street between Wyckoff and Irving Avenues in Bushwick, Brooklyn, one block from the Dekalb L train and near the Knickerbocker M. For more information, please visit sardinebk.com. Contact: Lacey Fekishazy and Jon Lutz at email@example.com
“Structural Tendencies” by Mike Childs
Exhibition Dates: January 3 through February 2, 2014
Location: 56 Bogart St. Brooklyn, NY 11206
Gallery Phone: (718) 473-0819
Gallery Hours: Thursday-Sunday 1:00pm – 6:00pm
Opening Reception: January 3, 2014 from 6pm to 9pm
Mike Childs’s paintings attempt to create an internal order through space, color, and line, looking outward into the world for connections. His work has always been fundamentally abstract, however this latest imagery attempts to take that work one step further removed from identifiable representation.
In 10 new paintings (acrylic on canvas) and drawings (graphite on paper) included in Structural Tendencies, he concentrates on creating and juxtaposing shapes and patterns occurring in man-made structures with those formed in nature by bees, spiders and other animal builders. Childs says, “The urban, architectural environment which held sway in my earlier work is now being coupled with that of the natural world.”
While still allowing to be read as something related to the seen this new work pushes the boundaries of recognizable space. In subtle changes of colors, structure, and pattern these paintings fade, breakdown, and deteriorate, and in so doing, liberate and confine the spaces of his compositions in unanticipated and unexpected ways.
Intensive looking is integral to Childs’s studio practice and a prerequisite for viewing his work. His process of deconstruction and juxtaposition broadens the possibilities of meaning and experience of space and intensifies the activity of looking. On the second, third and subsequent viewings each composition reveals something new…some color or shape unnoticed before. It is through careful analysis and patient observation that the internal order of his work slowly becomes evident.
Location: 2 St. Nicholas Avenue, Space 25, Bushwick, Brooklyn
Gallery Hours: Saturday and Sunday from 1:00pm to 6:00pm and By Appointment
Nov 15, 2013
“Auxiliary Projects reopens on November 15, 2013, with an exhibition of objects and collaborative performances by MTAA. There will be an opening reception on November 15th, from 7-10pm, and the exhibition will continue through January 5, 2014. The gallery is open Saturdays and Sundays from 1-6pm, and by appointment.
MTAA, known for new media conceptualism for over 15 years, presents an intervention into and radical redecoration of Auxiliary Projects. MTAA overlays a fictional identity onto the space, aesthetically and metaphorically reimagining the gallery as a camouflaged quasi-military outpost in an isolated environment. Echoing a cold war aesthetic even as the repercussions of Edward Snowdon cascade, MTAA imagines the elements of isolation, observation, and ice as the defining elements of this bleak, inhospitable place, inhabited by the few and visited by the brave.
Isolation: What materials of culture would we need to survive alone? MTAA provides the answer of a few carefully chosen books, movies, and CDs, precisely stacked in duplicate on shelves as though not to be touched. Among them: One Hundred Years of Solitude, Jerry Thomas Bartenders Guide, a deck of cards, the movie Rear Window.
Observation: Camouflaged, those inside the gallery persist as if in a hunting blind, quietly poised for visitors to make their innocent approach, filmed, seen. At MTAA’s instruction, collaborators will record the smallest activities in the environment, surveilling the bleak view from the gallery’s barred windows, noting changes in the weather or the activity of pedestrians. The work of the record-keepers will be presented as a collaborative drawing; relics of performances will be presented in camouflaged boxes.
Ice: Winter is just beginning but the darkness comes early to Bushwick, the wind growing fierce between the low industrial buildings, under an often grey sky. Ice appears in drinks to a warmer welcome. We will consult the Bartender’s Guide. MTAA will foster conviviality within and from a stark environment.”
Saturday, Nov 24, 4pm- Live Dramatic Reading (Disconnection of HAL 9000’s Higher Functions)
A live reading from Kubrick’s 1968 film “2001:A Space Odyssey”
Saturday, Dec 7, 4pm- Music for lOl (Live)- with Aviram Cohen
MTAA and Cohen perform a live remix of field recordings from the IOI opening
Saturday, Dec 14, 4pm- A Very Very Cold Martini
MTAA and Elaine Tin Nyo will make and serve you a very very cold Vesper Martini
Saturday, January 4, 4pm- Group Assembled Klondike Solitaire
MTAA will play a hand of Klondike solitaire as a group performance
Collaborators for the exhibition include Charles Orr, Colleen Rae Smiley, Raphaele Shirley.